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Record Exchange Boise

What's New 5-6-22

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XL Recordings

Spell 31 is the French Afro-Cuban twin sisters’ boldest offering yet, an antidote to apathy in a divided world. Ethereal, crystalized signature Ibeyi harmonies are fused with gospel, persuasive percussion, momentous deeply resonant bass, and electronic neo soul expressions, transporting us into a sublime rawness that is refined by Richard Russell's precise hand and synthesized into astonishing clarity.

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Columbia

Written, recorded, and released during a critical historical juncture, Arcade Fire’s sixth studio album is divided into two distinct sides, “I” and “WE.” If the “I” side of the record evokes and embodies our holed-up anxiety and lack of physical connection, the “WE” side captures the excitement of new possibilities and the elevating thrill of committing to one another socially and personally.

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Better Noise

This eclectic collection of masterfully crafted covers includes epic re-imaginings of classics like "Wind of Change" by the Scorpions, "Take a Chance on Me" by Abba, and "Beds are Burning" by Midnight Oil; and features collaborations with artists like Portugal the Man, Brandon Boyd of Incubus, Jewel, Beck, Taylor Hanson & more. Available on one-of-a kind, recycled colored vinyl, mystery colored cassette and CD.

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Chrysalis

Introduced to the world ten years ago, Sandé has become an icon of British singer-songwriting; emotional, honest, and prolific. Now, Sandé has freed herself from the expectations of others in order to make an album of expansive creativity. Something of an artistic rebirth, it draws on old familiarities and brave beginnings, uniting fans old and new in her endless drive to use music as a tool for inspirational lift.

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Matador

This is a classic Belle and Sebastian album preoccupied with songs and melodies that won't leave your head. It's a band tackling the insight, experience and responsibility that come with getting older with humor and irreverence and lyrical exactitude and musical bravado. It's one of the UK's most beloved pop portraitists asserting themselves as an infallible source of energy and fun.

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Sub Pop

Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. Waterhouse writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage.

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UNFD

Filled with moments of relentless energy throwing back to their punk and hardcore roots to visionary moments of modern heavy, Misery Made Me fastens the group's status as torchbearers of the scene on all fronts. It's both intriguing and inspiring that a band - who could have merely rested on the impressive legacy they've already cemented - would continue to dig deep and find the inspiration to reach people in meaningful new ways.

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Astralwerks

Following on from her 2018 album, Awake (#1 ARIA Dance Album, #1 Billboard Top Dance/Electronic Album), Alison Wonderland returns with her first record in four years, Loner. Featuring "Fuck U Love U," "Fear Of Dying," "New Day," and more, it’s a display of mystical, wobbly synths, gut wrenching bass and lyrics inspired by romantic loss.

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No Quarter Records

An instrumental masterpiece disguised as a movie soundtrack (Werner Herzog’s 2005 documentary Grizzly Man), this is Thompson at his natural best. Finger-picking dance; snake-curl twang and singing-wire harmonics in a solo clarity that runs from jig-like joy to deep-note meditation. The “Grizzly Man” blues march to the long night of “Treadwell No More,” a harrowing darkness in slicing treble and tremolo shiver.

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Dinner Time Records

With a laid-back, speak-singing delivery, “SingleWide Dreamer” immediately conveys Raitiere’s contentment in living a low-key life. And although every song on the album could be considered a love song in its own way, what really ties them together is his observant writing, which is sometimes reflective, sometimes irreverent, but always inspired by his own experiences. Co-produced by Anderson East and Miranda Lambert.

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