Record Exchange Boise

Double vinyl LP pressing. August 1988, Spacemen 3 embarked on one of the strangest events in the band's already strange history. Billed as An Evening Of Contemporary Sitar Music (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, could be seen as the "Sweet Sister Ray" of '80s Britain. Their signature sound is at once recognizable and disorienting -pointing as much to the hypnotic minimalism of La Monte Young as to a future shoegaze constituency.
Double vinyl LP pressing. August 1988, Spacemen 3 embarked on one of the strangest events in the band's already strange history. Billed as An Evening Of Contemporary Sitar Music (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, could be seen as the "Sweet Sister Ray" of '80s Britain. Their signature sound is at once recognizable and disorienting -pointing as much to the hypnotic minimalism of La Monte Young as to a future shoegaze constituency.
855985006536
Dreamweapon
Artist: Spacemen 3
Format: Vinyl
New: IN STOCK AT OUR STORE $39.99
Wish

Formats and Editions

DISC: 1

1. An Evening of Contemporary Sitar Music Part 1 22:00
2. An Evening of Contemporary Sitar Music Part 2 22:05
3. Ecstasy Live Intro Theme 8:15
4. Ecstacy in Slow Motion 9:26
5. Spacemen Jam 15:42

More Info:

Double vinyl LP pressing. August 1988, Spacemen 3 embarked on one of the strangest events in the band's already strange history. Billed as An Evening Of Contemporary Sitar Music (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, could be seen as the "Sweet Sister Ray" of '80s Britain. Their signature sound is at once recognizable and disorienting -pointing as much to the hypnotic minimalism of La Monte Young as to a future shoegaze constituency.
        
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