Singer-songwriter-producer Gigi Perez releases her highly anticipated, self-produced debut album, At the Beach, In Every Life. The passionate, poetic, and powerful body of work centers around themes of grief, love, faith and religion. Notably, the album processes the aftermath of losing her beloved sister Celene, immortalized on songs like "Fable," and the love that ultimately helps her through her grief, as heard on the breakout hit, "Sailor Song." Gigi is ready to invite everyone behind the curtain on her debut release.

3LP Clear w/ Pink Swirl, Olive Green, & Single Sided Etched Clear w/ Pink Swirl The Hayley Williams 'FLOWERS for VASES + Petals for Armor Deluxe' is a 3LP which includes a 20 page booklet filled with never before seen photos and diary entries from Hayley. Limited Pressing

Rituals, out May 30th, is the newest full length album from Watchhouse (Andrew Marlin & Emily Frantz). This is the first release of all new, original songs since their 2021 self-titled album, which found the duo embracing a new name and a new chapter for the band. Recorded close to home in 2024 with co-producer Ryan Gustafson (the Dead Tongues), Rituals explores the boundaries between identity and awareness, and how we often confuse our patterns with our truths. The album muses on the endless nature of our evolution, asking questions like: how can we have a positive relationship with change, how can we meet our ends gracefully, and 'is the world on fire or at home in the sun?

Multi-Platinum singer/songwriter Dierks Bentley has your back, dropping the grungy delight “She Hates Me.” Landing somewhere between Whitley and Weezer, the new track features Bentley's patented style of country with a mischievous edge, plus the tongue-twisting story of a girl who is no longer falling for his country-boy charm. “She Hates Me” was penned at a writing camp last spring by Bentley and longtime collaborators Ashley Gorley, Ross Copperman and Chase McGill and falls in line with the spirit of previous hits “Somewhere On A Beach” and “Drunk On A Plane.”   

 

His career has produced eight Number One albums, 22 Number One songs, more than nine billion global streams, plus 15 GRAMMY® nominations and membership in the historic Grand Ole Opry. Beyond that, millions of fans have connected to his songs featuring equal parts energy and emotion, and tastemakers around the nation continue to hail Bentley as one of country’s most authentic entertainers.

Crowe Boys, the New Orleans-based duo made up of brothers Ocie and Wes Crowe, deliver their debut album, Made To Wander. The album features 10 tracks, including "Bootstraps," "Bonfire in My Soul," and "Debris." Crowe Boys' journey to find their own musical identity led to writing "Where Did I Go Wrong," maintaining a positive attitude as they assembled their catalog of original songs. Andrew Campanelli, the drummer for the multiplatinum rock band The Revivalists, soon teamed with the brothers to capture their undeniable dynamic in the studio. Available on sea glass clear translucent vinyl.

The follow up LP to 2024's ‘Flight B741’ and initially recorded during the same sessions, ‘Phantom Island’ sees King Gizzard expanding their sonic landscape to include a full-blown orchestra across its 10 tracks. Blending their signature psych-rock energy with sweeping orchestral arrangements, King Gizz take you on a symphonic journey embroidering their tangles of lysergic riff and melody with strings, horns and woodwind. ‘Phantom Island’ will be supported by a global tour running May through December 2025.

Benson Boone is quickly soaring to global pop stardom on the heels of a breakout year in 2024. His brand new album American Heart builds upon that success and expands his sonic landscape, creating a project that feels both larger-than-life and sincere at its core. Boasting lead single "Sorry I'm Here For Someone Else" in addition to standout tracks like "Mystical Magical," "I Wanna Be The One You Call," "Young American Heart," and the deeply personal "Momma Song," American Heart sees Benson hone in on compelling narratives and a rock-tinged, 70s pop sound that delivers a sense of nostalgia while feeling fresh and inventive. American Heart follows Boone's Platinum-certified 2024 debut album Fireworks & Rollerblades, which features the breakout smash hit "Beautiful Things." The chart-conquering track was the #1 most streamed song in the world last year, earning Benson a myriad of accolades, including a nomination for Best New Artist at the 2025 Grammy Awards, where he went on to deliver a show-stopping performance. With the release of American Heart and a global headline tour on the horizon, Boone is on track for a record year in 2025.

SIGNED BY THE ARTIST!

ONE PER CUSTOMER.

PURCHASE FOR INTERNATIONAL SHIPPING HERE

Renowned singer, songwriter, musician, artist and best-selling author Josh Ritter will release his anticipated new album, Spectral Lines, April 28 via Thirty Tigers.

Produced by Ritter’s longtime collaborator Sam Kassirer (Lake Street Dive, Langhorne Slim), Spectral Lines finds Ritter expanding beyond the bounds of his previous work to create a record both atmospheric and profound. Dedicated to the memory of his mother, Ritter searches for commonality across these ten seamless tracks by exploring life’s most universal ideas—love, devotion and what it means to be connected, to both each other and to ourselves.

“I think it’s important for us to share some of our most basic and common experiences with each other, however we can. That’s what we really, really need right now. I know we have common experiences, and it’s important to telegraph those back because they don’t have to be lonely experiences.” - Josh Ritter

One of today’s most thoughtful and prolific voices, Ritter has released ten studio albums including 2019’s widely acclaimed, Fever Breaks, of which NPR Music praised, “He remains a hydrant of ideas while embodying an endless capacity for empathy and indignation, often within a single song.” In addition to his work as a musician, Ritter is also a national best-selling author, having released two novels to date: 2011’s Bright’s Passage and 2021’s The Great Glorious Goddamn of It All, for which the film rights have recently been optioned for development. Released to critical attention, Stephen King wrote in The New York Times Book Review that Bright’s Passage “shines with a compressed lyricism that recalls Ray Bradbury in his prime…This is the work of a gifted novelist.”

In celebration of the new record, Ritter and his band, the Royal City Band, will return to the road in spring ‘23 with headline shows at Chicago’s Thalia Hall, Nashville’s historic Ryman Auditorium, Washington, DC’s Lincoln Theatre, Philadelphia’s Keswick Theatre, Boston’s House of Blues and New York’s Beacon Theatre among others. Visit www.joshritter.com for full details.

In addition to Ritter (vocals, acoustic guitar, electric guitar) and Kassirer (piano, organ, mellotron, synthesizers, drums), Spectral Lines also features Jocie Adams (clarinet, synthesizers, background vocals), Matt Douglas (woodwinds), Zachariah Hickman (upright bass, electric bass), Rich Hinman (electric guitar, pedal steel), Shane Leonard (drums, percussion, acoustic guitar, electric guitar, bass), Kevin O’Connell (drums, percussion, electric bass, electric guitar) and Dietrich Strause (acoustic guitar, electric guitar). 

Justin Robinson and Rhiannon Giddens are two of the few people from the Black community caretaking Joe Thompson’s family tradition of fiddle and banjo music. For both, their Black banjo bodylands are primarily rooted in the North Carolina Piedmont, where Joe mentored them. The term “Black banjo bodylands” describes the deep connection between banjos, land, and the Black musicians who breathe life into them. Intimate engagements with place, nature, and community around this musical practice are essential to the tradition’s continuation. These bodylands constitute not just the individual player but the traditions, knowledge, and spirit handed down from their musical ancestors. On What Did the Blackbird Say to the Crow, Rhiannon Giddens and Justin Robinson simply chose to bring the places and people—even the season—with them. Heralded by the cawing of American crows, shot through with the round thrumming of periodical cicadas, these recordings represent the music exactly as it is: a particularly engaging piece of a particular place’s rich sonic ecosystem. Giddens and Robinson emphasize place, communication and collaboration in these sound offerings from the North Carolina Piedmont homes of Joe Thompson and Etta Baker and the historic Mill Prong House. This record is not about flashy arrangements, or displays of virtuosity for its own sake. It’s about the relaxed,understated flow that arises at the junction of long friendship, a sense of belonging, and monstrous technical proficiency. We make this music, we make it together, and we make it here. This record refuses to be removed.

Doechii - "Alligator Bites Never Heal" With her GRAMMY Award-winning mixtape "Alligator Bites Never Heal," rapper, singer and visionary artist Doechii delivers 19 tracks following the weekly "Swamp Session" installments that lit the internet on fire with eye-catching visuals and equally compelling bars. The Best Rap Album-winning project, featuring "DENIAL IS A RIVER" and "NISSAN ALTIMA," captures a rare talent in her rawest form yet giving listeners distinct windows into her one-of-a-kind artistry. EXPLICIT

It is with a certain sadness for his fans across mediums that Donald Glover has declared Bando Stone and the New World the last Childish Gambino album. The ostensible soundtrack to a feature-length movie of the same name, the hour-long project includes snippets of dialogue that hint at the film’s apocalyptic subject matter. The fact that the soundtrack is preceding the actual film is part of Glover’s strategy: He wants listeners to work to figure out what they’re listening to. “The soundtrack forces the audience to participate in a way that I don't feel like most things force you to participate,” he says. “It forces you to have an imagination. I already see people being like, 'This is very cinematic, this must be the part that... This feels like a credit sequence.' A lot of stuff feels flat because it's not asking you to participate. Art used to be you had to participate on some level and have some sort of thought process on it. You can't just be like, 'Oh, this is mid.'” Even without the benefit of the full visuals, these 17 tracks make for a satisfying swan song that synthesizes what came before with fresher ideas gleaned from the threshold of finality

Heartbreaker” that “kicks down the door of this next musical chapter” (American Songwriter) and the title track, “Honkytonk Hollywood.” 2 LP set on forest green color vinyl. Limited Edition. Available at Indie Retailers.

CLEOPATRICK’s sophomore album, FAKE MOON, is a daring leap into new territory for the Cobourg Ontario-based post-rock duo. It’s a record spanning time, influence, and sound, blending lo-fi intimacy with grand, expansive production. For Luke Gruntz and Ian Fraser, this album represents more than just a sonic shift – it’s a bold solidification of their ever-developing creative identity. “It’s the most real thing we could have made,” Luke shares. “I wanted to do something beautiful. It’s a struggle between control and surrender, individuality and belonging. It’s where we are now.” Returning refreshed from a creative breather, after the rigorous post-pandemic touring of debut LP BUMMER, the newest record on their own ‘Nowhere Special Recordings’ is a captivating collision of lo-fi grit, quiet introspection, and overt existentialism. Anchored in refusal of conformity, and captured with what can only be described as the audio equivalent to Playstation 1 graphics FAKE MOON navigates power, vulnerability, and the complexities of individual identity with both rawness and precision. Take ‘HEAT DEATH,’ a visceral opener born out of a corrupted demo session that required a painstaking, stem-by-stem rescue operation that Luke describes as “The will of a technocracy foiled by two humble men.” The song channels its own chaotic origins into a sovereign anthem of defiance, daring a universal authority to “take it from me, man.” FAKE MOON is CLEOPATRICK at their most adventurous. Look overhead and perhaps you’ll spot the orbiting influences of Radiohead’s experimental brilliance, the grounded surrealism of Dijon’s Absolutely, or the raw intimacy of favourites since highschool, Califone. “We’re just trusting our creative compass,” they say. “I actually tried to write BUMMER 2 at first – but it immediately felt as if I was putting on the costume of a 23 year old me. It wasn't coming out honest.” When it came to recording, the pair slowed the process and expanded their crew for the first time. Theyenlisted respected guitarist and multi-instrumentalist Mike Haldeman and the expertise of producer Philip Weinrobe (Adrianne Lenker/Hand Habits/Tomberlin). Hunkered down in Weinrobe’s Brooklyn studio, together they shaped the sound from an “as long as it feels good, it sounds good” approach, where the angular recordings from the pair’s instinctive style of throwing up mics and tracking on whatever device was closest formed its foundations. The lyrics on FAKE MOON are as textured and evocative as the album’s sonics, weaving narratives that feel simultaneously intimate and universal, radiating a tension between fragility and defiance, conspiracy and truth. “BAD GUY” wrestles with guilt, while “HAMMER,” written in a parked car during a Toronto heatwave, explores surrendering to authority for a fleeting sense of certainty. “SARAH” digs into the romance of collective identity, while “PLEASE” reflects on the magnetic pull of groupthink, with its robo-folk soundscape eventually degrading into a somber puddle of digital slush. The concepts and characters on FAKE MOON often manifest as something liminal and nonlinear – like snapshots of emotions or thoughts mid-process. “SOFTDRIVE” takes this even further, as the sprawling instrumental is pieced together from years of recovered demos, videos, and voice notes off a once-busted college hard drive. The result of which is a swirling audio collage that somehow possesses both the intensity of a space shuttle launch and the frictionless peace of a near earth orbit – mirroring the duality of the record itself. Nominated for Canada’s 2022 JUNO as “Breakthrough Group of the Year,” CLEOPATRICK have amassed over 100 million streams alongside multiple sell-out tours in the US, UK, and EU, performed at festivals Lollapalooza, Austin City Limits, and Reading/Leeds, and supported Royal Blood on their US tour. With FAKE MOON, the duo ventures deeper inward, crafting a record that reasserts their artistic ability while holding true to themselves. “This album is one of the clearest steps forward we’ve ever taken,” they say. “We’re immensely proud of it, and we can’t wait to share it with everyone.

Lord Huron - "Strange Trails (10th Anniversary Edition)" 10th Anniversary Edition of Lord Huron's seminal, multiplatinum album Strange Trails. Includes re-illustrated artwork and brand-new 20-page comic book, The Yawning Grave. Virgin Music; IMPERIAL; Alternative; Catalog Limited Edition 2 LP set on 180g vinyl, gatefold jacket, printed inner sleeves. EXPLICIT

Bon Iver’s three-song collection SABLE, was a prologue mired in darkness, a controlled burn clearing the way for new possibilities. fABLE is the book that follows. Where SABLE, was a work of solitude, fABLE is an outstretched hand. Radiant, ornate pop music gleams around Vernon’s voice as he focuses on a new and beautiful era.

Forever Howlong is Black Country, New Road’s first studio release since 2022's UK #3 album Ants From Up There, which gave the band their second Top 5 UK album in 12 months alongside their Mercury Prize shortlisted debut For the first time, and follows 2023's Live at Bush Hall, an album The Guardian claimed was a “magical resurgence” in a triumphant five-star review. Now, on studio album three, the band are once again building from the ground up in yet another miraculous musical transformation.

The long-awaited new record was produced by James Ford (Fontaines D.C., Arctic Monkeys, Depeche Mode, Blur) and sees Black Country, New Road settled into a new shape in which vocal duties – and most of the song writing – is split between Tyler Hyde, Georgia Ellery, and May Kershaw. “It created a real through line for the album, having three girls singing," says Ellery. "It's definitely very different to Ants From Up There, because of the female perspective - and the music we've made also compliments that."

Forever Howlong is an ambitious, meticulously detailed record that includes everything from folk to prog via baroque pop and touches of alt-rock – with nods to everything from Joanna Newsom to Randy Newman via Fiona Apple and Janis Ian – yet all the while retaining that unmistakably unique sound that only this combination of musicians can come up with. Although hugely varied and expansive, the album also feels deeply cohesive and focused, as it takes three distinct voices and styles and seamlessly intersperses them into a new collective sound.

Written and recorded over 20 days, ‘Who Believes In Angels?' is a collaborative studio album between Elton John and Brandi Carlile. It mixes Elton-led songs and Brandi-led songs, with long term collaborator Bernie Taupin and Brandi both contributing lyrics, and producer and co-writer Andrew Watt acting as the producer, mediator and creative conduit. They are backed by a world class band of musicians comprising of Chad Smith, Pino Palladino and Josh Klinghoffer.

Gracie Abrams returns with the deluxe version of her sophomore album, The Secret of Us (Deluxe)released via Interscope Records. This is Gracie's most expansive body of work both sonically and narratively. Building onto a massive year for Gracie, she adds 4 new songs including fan favorite ‘That's So True'. Gracie's growth as a songwriter and vocalist is showcased in her most extroverted album yet, as she continues to work with longtime collaborator Aaron Dessner. A portion of these songs were also written with Gracie's best friend, Audrey Hobert. This album was written with the urgency with which you run home to detail every moment of a night to your friend, with her live experiences over the past year having deeply shaped the identity of this album.

Vinyl LP reissue from 2003. Original lead vocalist Bon Scott left a kickin' legacy on this classic AC/DC album from 1979. His tragic passing in early 1980 overshadowed the album's success, but he left the charts burning with the hits "Highway to Hell" (#47 on the Billboard Hot 100), "Girls Got Rhythm" and "Touch Too Much." Famed producer Mutt Lange also helped push the band's envelope, and the album peaked at #17 on the Billboard 200 chart. Through the advances in digital technology, the classic was successfully remastered with a greater clarity and intensity in 2003. The vinyl LP remains a masterpiece of hard rock.

THE ULTIMATE GREATEST HITS CELEBRATING 50 YEARS OF AEROSMITH! 20 tracks spanning their five-decade career on standard weight black vinyl. Featuring “Dream On,” “Walk This Way,” “Sweet Emotion,” “Crazy,” “Cryin’,” “I Don’t Want To Miss A Thing” and many more!

Alice in Chains’ acclaimed Jar of Flies is being reissued in celebration of its 30th anniversary.  The EP made history as the first of its format to debut at No. 1 on the Billboard 200 in its first week of sales.  Hit tracks like "No Excuses," "I Stay Away," and "Nutshell", extended the group's popularity.

'the record' is the debut full-length album from boygenius. The LP is pressed on black vinyl and features gatefold packaging, a temporary tattoo, and 24-page zine.

Phoebe Bridgers wrote her first song at age 11, spent her adolescence at open mic nights, and busked through her teenage years at farmers markets in her native Los Angeles. By age 20, she'd caught the ear of Ryan Adams, who listened to her perform her song "Killer" in his L.A. studio, inviting her to come back and record it there the next day. The session blossomed into the three-song ‘Killer’ EP, released to much acclaim on Adams’s Pax-Am label in 2015. In the two short years since, Bridgers has toured or played with Conor Oberst, Julien Baker, City and Colour, Violent Femmes, Mitski, Television and Blake Babies among others. On September 22nd, Phoebe Bridgers will release her debut full-length, Stranger In The Alps. From the weeping strings and Twin Peaks twangs of opening track Smoke Signals, to the simple heartbreak of Funeral and melancholic crescendo of Scott Street, Stranger in the Alps is a swooningly beautiful record with a gothic heart.

Leon Bridges is the 'out of almost nowhere' story that only comes along once in a while. Awareness of Leon Bidges and his unique craft continues to grow authentically and consistently. It was only last summer that Leon was singing open mics in his hometown Fort Worth, TX. One of those open mics was attended by Austin Jenkins and Josh Block of the notable indie band White Denim who were absolutely floored by Leon's voice, songs, and creative vision.

: Chris Brown releases RARE and LIMITED Vinyl LP for his 11:11 Album Deluxe. Includes 3 red smoke colored vinyl discs, exclusive photos and artwork.

Formed in 2008, the group has been host to a number of different musical collaborators, working through a variety of sounds since its inception. In the spring of 2012, inspired by the Trinity Session, Cocteau Twins, Red House Painters, Mazzy Star & the sound of early '60s records like "I Love You How You Love Me" by the Paris Sisters, they recorded their first proper EP, I., live over the course of a single night in the stairway of a four story building.

Coheed and Cambria presents their forthcoming album, The Father of Make Believe, out via Virgin Music Group. The new full-length marks the 10th studio album from the New York band and continues the narrative of The Amory Wars / Vaxis universe, following their 2022 album, Vaxis Act II: A Window of the Waking Mind.

Originally released in 1982. Remastered from original tapes. Includes a 28 page booklet. The epic sweep of PLASTIC SURGERY DISASTERS, in both sonic texture and thematic depth, sets it apart as one of punk's most highly evolved musical and artistic statements. Vocalist Jello Biafra's rage had developed into a calmer but more strident kind of anger. Fortified by a wider variety of sounds, including horns, clarinets, and East Bay Ray's rich palette of aggressive guitar textures, this album attacked the usual DK targets. Our bloated, mentally lazy consumer culture is lambasted in the thick, intimidating 'Buzzbomb' and the stingingly sarcastic 'Winnebago Warrior.' Several of society's more insidious archetypes are taken on as well, as in the goofy 'Terminal Preppie,' and the furious, adrenaline-fueled 'Well Paid Scientist.' Firmly in place are Biafra's trademark paranoid anti-government diatribes; society's false sense of security is addressed in the breakneck-speed rant of 'Government Flu,' the far-reaching metaphor of 'Trust Your Mechanic,' and the angry theatrics of 'I Am The Owl.'The Dead Kennedys: Jello Biafra (vocals); East Bay Ray (guitar); Klaus Flouride (bass); D.H. Pelligro (drums). Digitally remastered by John Cuniberti and East Bay Ray (The Plant Mastering, Sausalito, California). Additional personnel includes: Melissa Webber (spoken vocals); Dave Barrett, Geoffrey Lyall, Bruce Ackely (horns); Ninotchka (background vocals). Producers: Thom Wilson, East Bay Ray, The Dead Kennedys, Geza X. Engineers: Olivier DiCicco, John Cuniberti, Mark Wallner. Recorded at Hyde Street Studios and Mobius Music, San Francisco, California.