Blues & Jazz
CD: $28.99 Buy
Vinyl: $25.99 Buy
2019 release. 20 year-old blues firebrand comes bursting out of Clarksdale, Mississippi, with a sensational debut packed with piercing guitar, husky, impassioned singing and potent songwriting. Kingfish reinvigorates the blues with Ingram's infectious, youthful fire. Ingram's mentor, Buddy Guy, makes a cameo on "Fresh Out," four-time Grammy winner Keb Mo is featured on a track and plays on five more, and Chicago blues harp master Billy Branch appears on one.
Blues music is revered for its timelessness. The best blues–no matter how old sounds as fresh and visceral today as it did when first recorded. The high-energy electric blues trio GA-20 –guitarist Matt Stubbs, guitarist/vocalist Pat Faherty, and drummer Tim Carman –know this well. The band’s dynamic self-penned songs sound and feel as fresh and real as the old blues they love and perform, including songs by Otis Rush, J.B. Lenoir, Howlin ’Wolf, Junior Wells and especially their favorite, Hound Dog Taylor.
Legendary six-fingered Chicago bluesman Theodore Roosevelt “Hound Dog” Taylor always knew how he wanted to be remembered, declaring, “When I die they’ll say, ‘he couldn’t play shit, but he sure made it sound good!’” His first full length recording in 1971 was also the first album on now world-famous Alligator Records, Hound Dog Taylor & The House Rockers. In fact, label president Bruce Iglauer founded Alligator for the sole purpose of recording and releasing that album. Now, Colemine Records–working in partnership with Alligator Records–will release GA-20’s new full-length album, Try It...You Might Like It! GA-20 Does Hound Dog Taylor, featuring 10 songs written or performed by the Chicago blues legend. From the fiery first single and album opener “She’s Gone” to the blistering “Sadie” to the all-time Hound Dog classic “Give Me Back My Wig”, GA-20 deliver one electrifying track after another. As a follow-up to their Billboard-chart-topping Lonely Soul LP, a full worldwide tour will accompany this release, surely to galvanize the blues scene around GA-20!
2020 release. If you want to travel America, take the Train. As the Grammy-nominated kingpin of American roots, Victor Wainwright's second release with the crack-squad band he assembled in 2018 is a snapshot of all the nation's great cities and genres - with a modern twist. And, as the title tells you, Memphis Loud's rattle-and-shout originals demand to be played at speaker-shaking volume. "Find a moment," he advises, "to sit back with your favorite headphones or speakers, turn it up, and listen. It's heavy, and I know you're gonna love it."
Vinyl: $18.00 Buy
2017 release from the veteran blues outfit. Blues is not for the faint-hearted. Since the genre first drew breath, it's greatest practitioners have embraced the darkness, spinning tales of hardship and death, hellhounds and devilry. If the sleeve of Witchy Feelin' suggests that Kim Simmonds, too, has a tendency towards the macabre, then Savoy Brown's iconic leader is happy to confirm it. "Blues has always dealt with themes of the Devil, witchcraft and so forth, and I've always written along those lines. At least three of the songs on Witchy Feelin' have that hoodoo vibe..." Witchy Feelin' proves the Devil still has all the best tunes. From the thrillingly brittle guitar riff that opens Why Did You Hoodoo Me, we are in the hands of a master, with Simmonds reigniting the seismic vocals and searing fretwork that established Savoy Brown as linchpins of the '60s British blues boom. Recording alongside Pat Desalvo (bass), Garnet Grimm (drums) and engineer Ben Elliott, Simmonds leads us into a world of dark nights, wild weather, women and whiskey: all perennial themes given a modern twist by this ageless bluesman. "The songs on this album have been two years in the making," he reflects. "I tried to write songs that had a personal point of view yet can be relatable to everyone. On 'Vintage Man', I wrote about being the type of guy who doesn't change as he gets older. I wrote about the power of love on 'Why Did You Hoodoo Me'. And with 'Guitar Slinger', I wrote a song about seeing a great guitar player in an old country bar - as I did when I first saw Roy Buchanan in '69."