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Lost Music of Canterbury
Artist:
Blue Heron
Format: CD
New: NOT IN STORE, BUT IN PRINT AND ORDER-ABLE - , call or email $78.00
Wish
Formats and Editions
1. Ave Maria Dive Matris Anne
2. Magnificat
3. Gaude Virgo Mater Christi
4. Quales Sumus O Miseri
5. Ave Maria Ancilla
1. Introit: Me Expectaverunt Peccatores
2. Kyrie XII (Conditor)
3. Missa Regnum Mundi: I. Gloria
4. Gradual “specie Tua”
5. Alleluya “veni Electa Mea”
6. Missa Regnum Mundi: II. Credo
7. Offertory “offerentur Regi Virgines”
8. Missa Regnum Mundi: III. Sanctus
9. Missa Regnum Mundi: IV. Agnus Dei
10. Communion “feci Iudicium”
11. Ite Missa Est
12. Salve Regina “votive Antiphon”
1. Ave Fuit Prima Salus
2. Kyrie Cunctipotens Genitor
3. Missa Inclina Cor Meum Deus: I. Gloria
4. Missa Inclina Cor Meum Deus: II. Credo
5. Missa Inclina Cor Meum Deus: III. Sanctus
6. Missa Inclina Cor Meum Deus: IV. Agnus Dei
1. Ave Cujus Conceptio
2. Kyrie Deus Creator Omnium
3. Missa Spes Nostra: I. Gloria
4. Missa Spes Nostra: II. Credo
5. Missa Spes Nostra: III. Sanctus
6. Missa Spes Nostra: IV. Agnus Dei
7. Stabat Mater
1. Exultet In Hac Die
2. Ave Maria Mater Dei
3. Ve Nobis Miseris
4. Kyrie Orbis Factor
5. Missa Sine Nomine: V. Gloria
6. Missa Sine Nomine: VI. Credo
7. Missa Sine Nomine: VII. Sanctus
8. Missa Sine Nomine: VIII. Agnus Dei
More Info:
The 5-release project The Lost Music of Canterbury: Music from the Peterhouse Partbooks is the capstone of a landmark project of international musical significance which presents extraordinary music from the last generation of medieval Catholicism in England. Judged by this music, Catholic culture remained vital and confident during this turbulent period. The fifth release in the set, released in 2017, was a Gramophone Editors Choice and Critics Choice, and was also shortlisted for the magazine's 2018 Early Music award. Fabrice Fitch called it "one of the discoveries of the year." The set includes mostly world premiere recordings and features masses by Nicholas Ludford, antiphons by Hugh Aston and Richard Pygott, the complete surviving works of Robert Jones, and the gifted though previously completely unknown composers Hugh Sturmy and Robert Hunt, and all but one of the surviving works of John Mason. The missing tenor parts have been supplied by Nick Sandon, who has dedicated much of his professional life to the Peterhouse partbooks, which were copied for Canterbury Cathedral in 1540 and are now named for the college currently housing them, Peterhouse Cambridge.
