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Formats and Editions
1. Over Unity (A) Meontic Voice B) Taquión)
2. Lot (A) Roto B) Quebrado C) Suelto)
3. Floto (A) Diamagnet B) Cae C) Cathexis)
4. Eleanore
More Info:
2015 release. Along the arc of Lucrecia Dalt's music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering? What is known, for starters, is that she made Ou immersed in a cinema of her own, curatorial creation. Ou's filmic quality is a direct consequence of her turning her studio into a screening room for classic works of new German cinema, pulling influence from directors such as Helke Sander and Werner Schroeter. As she works, she absorbs, and Ou results from a conscious staging of this process. The impact can be felt both at the levels of surface and structure. While the sound quality reflects these evocative, multi-layered scenarios, the larger departure from any of her previous works is the album's spatial, mix-like composition, with each track being made up of several companion titles.
