20. Be-Bop-A-Lu la - Lawson-Haggart Rockin' Band 2
21. Mama (He Treats Your Daughter Mean) - Betty Anne Steele 2
22. Hillbilly Rock - Dick Williams 2
23. Bye Bye Love - Lawson-Haggart Rockin' Band 2
24. Homesick Blues - Eddie Fontaine 2
25. Watcha Gonna Do? - Bunny Paul 2
26. I'd Crawl Back If I Could - Shorty Long 2
27. Boogie Woogie Maxixe - Lawson-Haggart Rockin' Band 2
28. Big Long Slidin' Thing - Dinah Washington 2
29. Rockin' Robert - the la Dell Sisters 3
30. Fever - Eddie Cooley 3
31. Barefoot Baby - Janis Martin 3
32. (Boom Boom) My Bayou Baby - the Jodimars 3
33. Cool It Baby - Eddie Fontaine 3
34. You Didn't Want Me, Baby - Garry Moore 3
35. Spasms - Little Willie John 3
36. Dream Toy - Jimmy Cavello ; His House Rockers 3
37. Hart Brake Motel - Homer ; Jethro 3
38. Ooby-Dooby - Janis Martin 3
39. Nothin' Shakin' (But the Leaves on the Tree) - Eddie Fontaine 4
40. Poison Ivy - the Coasters 4
41. Do You Love Me? - Jaye P Morgan ; Eddy Arnold 4
42. My Boy Elvis - Janis Martin 4
43. Sugar Sweet - David Houston 4
44. Restless Guitar - King Curtis Orchestra 4
45. Houn' Dawg - Homer ;Jethro 4
46. Cracker Jack - Janis Martin 4
47. Ooh-Wee (You Sure Look Good to Me) - Jimmy Cavello ; His House Rockers 4
48. Don't Be Ashamed to Call My Name - Little Willie John 4
49. All Right Baby - Janis Martin 5
50. Don't Ya Know - Eddie Fontaine 5
51. Little Bit - Janis Martin 5
52. Two Tone Shoes - Homer ; Jethro 5
53. Bump! - Jaycee Hill 5
54. Hey! Lawdy, Lawdy - Mary Petti 5
55. Billy Boy, Billy Boy - Janis Martin 5
56. Trainsville - George Barnes 5
57. What Am I Living for - Chuck Willis 5
58. Cryin' Shame - Sonny Terry 5
59. Good Morning Blues - Della Reese 6
60. I'm a Hog for You - the Coasters 6
61. Spooky - George Barnes
More Info:
Considering his huge importance and influence during the early history of that most revered musical instrument - the electric guitar - the name of George Barnes is sadly neglected today, at best dismissed as a minor Jazz performer. Yet in his prime years, between the late 1930s and early 1960s, George was a talented and ubiquitous sessioneer, anonymously tackling Blues, Country, Jazz, R&B, Pop, Rockabilly and Rock 'N' Roll with ease. These two volumes have been compiled to finally recognize his long overlooked brilliance.