The Goldberg Variations: The Complete 1955 Recording Sessions
Currently Unavailable
Tracklist
1
Aria Take 1
2
Aria Take 2
3
Aria Take 3 [']
4
Aria Take 4
5
Aria Take 5
6
Aria Take 6
7
Variation 1 Take 1
8
Variation 1 Take 2 (B)
9
Variation 1 Take 3 1
10
Variation 1 Remake Take 1 (B) 1
11
Variation 1 Remake Take 2 (B) 1
12
Variation 1 Remake Take 3 (B) 1
13
Variation 1 Remake Take 4 (B) 1
14
Variation 1 Remake Take 5 (B) 1
15
Variation 1 Remake Take 6 ('B) 1
16
Variation 1 Remake Take 7 1
17
Variation 1 Remake Take 8 1
18
Variation 1 Remake Take 9 [B] 1
19
Variation 1 Remake [Take 9A] 2
20
Variation 1 Remake Take 10 2
21
Variation 1 Remake Take 11 2
22
Variation 1 Remake Take 12 (') 2
23
Variation 1 Remake Take 13 (B) 2
24
Variation 2 Take 1 (B) 2
25
Variation 2 Take 2 [] 2
26
Variation 2 Take 2[A] (B) 2
27
Variation 2 Take 3 2
28
Variation 2 Take 4 (B) 2
29
Variation 2 Take 5 [] 3
30
Variation 2 Take 6 3
31
Variation 2 Take 7 (B) 3
32
Variation 2 Take 8 3
33
Variation 2 Take 9 [B] 3
34
Variation 2 [Take 9A] 3
35
Variation 2 Take 10 3
36
Variation 2 Take 11 (B) 3
37
Variation 2 Take 11A (B) 3
38
Variation 2 Take 11B (') 3
39
Variation 2 Take 12 (B) 4
40
Variation 2 Take 12A 4
41
Variation 2 Take 13 4
42
Variation 3 Take 1 4
43
Variation 3 Take 2 (B) 4
44
Variation 3 Take 2A [Announced] [] 4
45
Variation 3 Take 3 4
46
Variation 4 Take 1 (B) 4
47
Variation 4 Take 1A (B) 4
48
Variation 4 Take 1B (B) 4
49
Variation 4 Take 2 (') 5
50
Variation 4 Take 3 5
51
Variation 4 Take 4 5
52
Variation 4 Take 5 (') 5
53
Variation 4 Take 6 (B) 5
54
Variation 4 Take 6A 5
55
Variation 4 Take 7 (B) 5
56
Variation 4 Take 8 (B) 5
57
Variation 4 Take 8A 5
58
Variation 4 Take 9 5
59
Variation 4 Take 10 ('B) 6
60
Variation 5 Take 1 6
61
Variation 5 Take 2 ('B) 6
62
Variation 5 Take 3 6
63
Variation 5 Take 4 (B) 6
64
Variation 5 Take 5 (B) 6
65
Variation 5 Take 6 6
66
Variation 5 Take 7 [B] 6
67
Variation 5 Take 8 (') [B] 6
68
Variation 5 Take 9 (B) 6
69
Variation 6 Take 1 7
70
Variation 6 Take 2 (') 7
71
Variation 6 Take 3 7
72
Variation 6 Take 4 (' [']) 7
73
Variation 6 Take 5 (B) 7
74
Variation 6 Take 6 [] 7
75
Variation 6 Take 7 7
76
Variation 6 Take 8 (B) 7
77
Variation 6 Take 9 [B] 7
78
Variation 6 Take 10 (') 7
79
Variation 6 Take 11 [B] 8
80
Variation 6 [Take 11A] ['] 8
81
Variation 6 Take 12 [] 8
82
Variation 6 Take 13 (') [B] 8
83
Variation 6 Take 14 8
84
Variation 6 Take 15 8
85
Variation 6 Take 16 8
86
Variation 7 Take 1 (B) 8
87
Variation 7 Take 1A 8
88
Variation 7 Take 2 (B) 8
89
Variation 7 Take 3 [B] 9
90
Variation 7 Take 3A [B] 9
91
Variation 7 Take 4 9
92
Variation 7 Take 5 9
93
Variation 7 Remake Take 1 9
94
Variation 7 Remake Take 2 9
95
Variation 7 Remake Take 3 (B) 9
96
Variation 7 Remake Take 4 9
97
Variation 7 Remake Take 5 9
98
Variation 7 Remake Take 6 [B] 9
99
Variation 7 Remake Take 7 10
100
Variation 7 Remake Take 8 10
101
Variation 7 Remake Take 9 (B) 10
102
Variation 7 Remake Take 10 or 9A 10
103
Variation 8 Take 1 10
104
Variation 8 Take 2 10
105
Variation 8 Take 3 10
106
Variation 9 Take 1 (B) 10
107
Variation 9 Take 2 10
108
Variation 9 Take 3 (B) 10
109
Variation 9 Take 4 (') 11
110
Variation 9 Take 5 11
111
Variation 9 Take 6 11
112
Variation 9 Take 7 ['] 11
113
Variation 9 Take 8 (') 11
114
Variation 9 Take 9 11
115
Variation 9 Take 10 (B) 11
116
Variation 10 Take 1 11
117
Variation 10 Take 2 11
118
Variation 11 Take 1 ['] 11
119
Variation 11 Take 2 12
120
Variation 11 Take 3 [B] 12
121
Variation 11 Take 3A (B) 12
122
Variation 11 Take 3B (B) 12
123
Variation 11 Take 3C (B) 12
124
Variation 11 Take 4 12
125
Variation 11 Take 5 [B] 12
126
Variation 11 Take 6 [Not Recorded] 12
127
Variation 11 Take 7 ['] 12
128
Variation 11 Take 8 12
129
Variation 12 Take 1 13
130
Variation 12 Take 2 (B) 13
131
Variation 12 Take 2A 13
132
Variation 12 Take 3 (B) 13
133
Variation 12 Take 4 (B) 13
134
Variation 12 Take 5 (B) 13
135
Variation 12 Take 6 [] 13
136
Variation 12 Take 7 [B] 13
137
Variation 12 [Take 8 [B]] 13
138
Variation 12 Take 9 (B) 13
139
Variation 12 Take 10 (2nd Half Only) 14
140
Variation 12 Take 11 14
141
Variation 12 Take 12 (') 14
142
Variation 12 Take 13 (B) 14
143
Variation 12 Take 14 ['] 14
144
Variation 12 Take 15 (' B) 14
145
Variation 12 Take 16 14
146
Variation 12 Take 17 14
147
Variation 12 Take 18 14
148
Variation 13 Take 1 14
149
Variation 13 Take 2 (2nd Half F.S.) 15
150
Variation 13 Take 3 15
151
Variation 13 Take 4 [B] 15
152
Variation 13 Take 5 15
153
Variation 14 Take 1 ['] 15
154
Variation 14 Take 2 15
155
Variation 15 Take 1 15
156
Variation 15 Take 2 15
157
Variation 15 Take 3 (B) 15
158
Variation 15 Take 4 15
159
Variation 15 Take 5 16
160
Variation 15 Take 6 (B) 16
161
Variation 16 Take 1 16
162
Variation 16 Take 2 16
163
Variation 16 Insert 1 Take 1 16
164
Variation 16 Insert 1 Take 2 16
165
Variation 16 Insert 1 Take 3 16
166
Variation 17 Take 1 (B) 16
167
Variation 17 Take 2 16
168
Variation 17 Take 3 (B) 16
169
Variation 17 Take 4 17
170
Variation 17 Insert 1 Take 1 17
171
Variation 17 Insert 1 Take 2 ['] 17
172
Variation 17 Insert 1 Take 3 (B) 17
173
Variation 17 Insert 1 Take 4 17
174
Variation 17 Insert 1 Take 5 17
175
Variation 18 Take 1 17
176
Variation 18 Take 2 (B) 17
177
Variation 18 Take 2A 17
178
Variation 18 Take 3 17
179
Variation 18 Take 4 18
180
Variation 18 Take 5 18
181
Variation 18 Take 6 ['] 18
182
Variation 18 Take 7 18
183
Variation 18 Take 8 18
184
Variation 18 Take 9 ['B] 18
185
Variation 18 Take 10 (' ['] B) 18
186
Variation 18 Take 11 18
187
Variation 19 Take 1 (') 18
188
Variation 19 Take 2 (B) 18
189
Variation 19 Take 2A 19
190
Variation 19 Take 3 19
191
Variation 19 Take 4 ['] (B) 19
192
Variation 19 Take 4A ['] 19
193
Variation 19 Take 5 19
194
Variation 20 Take 1 [B] 19
195
Variation 20 Take 1A [Announced] 19
196
Variation 20 Take 2 (') 19
197
Variation 20 Take 3 ['] 19
198
Variation 20 Take 4 (' [']) 19
199
Variation 21 Take 1 20
200
Variation 21 Take 2 20
201
Variation 21 Take 3 20
202
Variation 21 Insert 1 Take 1 20
203
Variation 21 Insert 1 Take 2 (') 20
204
Variation 21 Take 4 20
205
Variation 21 Take 5 (') 20
206
Variation 21 Take 6 20
207
Variation 22 Take 1 20
208
Variation 22 Insert 1 Take 1 (2nd Half) 20
209
Variation 22 Take 2 21
210
Variation 22 Take 3 21
211
Variation 22 Take 4 21
212
Variation 23 Take 1 21
213
Variation 23 Take 2 21
214
Variation 23 Take 3 21
215
Variation 23 Take 4 (B) 21
216
Variation 23 Take 4A 21
217
Variation 23 Take 5 [B] 21
218
Variation 23 Take 6 21
219
Variation 23 Take 7 ['] 22
220
Variation 23 Take 8 (B) 22
221
Variation 23 Take 9 22
222
Variation 23 Take 10 22
223
Variation 23 Take 11 22
224
Variation 23 Remake Take 1 (B) 22
225
Variation 23 Remake Take 1A 22
226
Variation 23 Remake Take 2 (') 22
227
Variation 23 Remake Take 3 22
228
Variation 24 Take 1 22
229
Variation 24 Take 2 (B) 23
230
Variation 24 Take 2A 23
231
Variation 24 Take 3 23
232
Variation 24 Take 4 23
233
Variation 24 Take 5 (B) 23
234
Variation 24 Take 6 23
235
Variation 24 Take 7 23
236
Variation 24 Take 8 23
237
Variation 24 Take 9 23
238
Variation 24 Take 10 23
239
Variation 24 Insert 1 Take 1 (B) 24
240
Variation 24 Insert 1 Take 2 24
241
Variation 24 Insert 1 Take 3 (B) 24
242
Variation 24 Insert 1 Take 4 (B) 24
243
Variation 24 Take 11 24
244
Variation 24 Take 12 24
245
Variation 25 Take 1 24
246
Variation 25 Take 2 (B) 24
247
Variation 26 Take 1 24
248
Variation 26 Take 2 (') 24
249
Variation 26 Take 3 (B) 25
250
Variation 26 Take 3[A] 25
251
Variation 26 Insert 1 Take 1 25
252
Variation 26 Take 4 25
253
Variation 26 Take 5 25
254
Variation 27 Take 1 25
255
Variation 27 Take 2 25
256
Variation 27 Take 3 25
257
Variation 27 Take 4 25
258
Variation 27 Take 4[A] 25
259
Variation 28 Take 1 26
260
Variation 28 Take 2 26
261
Variation 28 Take 3 (B) 26
262
Variation 28 Take 4 (B) 26
263
Variation 29 Take 1 26
264
Variation 30 Take 1 [Announced] 26
265
Gould About Quodlibet, Improvisation 26
266
Variation 30 Take 2 (B) 26
267
Variation 30 Take 3 [] 26
268
Variation 30 Take 4 (B) 26
269
Variation 30 Take 5 [Announced] [B] 27
270
Variation 30 Take 6 27
271
Variation 30 Take 7 27
272
Aria Remake Take 1 27
273
Aria Remake Take 2 27
274
Aria Remake Take 3 27
275
Aria Remake Take 4 27
276
Aria Remake Take 5 [] [B] 27
277
Aria Remake Take 6 [Announced] ['] 27
278
Aria Remake Take 7 27
279
Aria Remake Take 8 28
280
Aria Remake Take 9 (B) 28
281
Aria Remake Take 10 [B] 28
282
Aria Remake [Take 11] (Announced Take 297) 28
283
Aria Remake [Take 11A] (Announced Take 11) 28
284
Opening - Tim Page 28
285
The Meaning of Re-Record
About This Release
The recording industry of the 20th century saw stars become legends and albums become icons of popular culture. Completed in a total of only four days and released in January 1956, Glenn Gould s début recording of Bach s Goldberg Variations is without doubt one of the most significant and successful classical recordings in the history of the gramophone record. Documenting with unprecedented completeness the events that unfolded in Columbia s 30th Street Studio during those four key days in June 1955, the present release allows listeners for the very first time to join Glenn Gould, his producer Howard Scott and sound engineer Fred Plaut as one of the greatest recordings of all time came into existence. Glenn Gould: The Goldberg Variations The Complete Unreleased Recording Sessions is probably the most comprehensive special edition ever dedicated to a single classical music album. It features Glenn Gould s complete recording sessions of Bach s Goldberg Variations on 5 CDs (including the studio conversations between him and his producer), restored from the original ¼-inch analogue tapes and re mastered using 24 bit / 96 kHz technology, plus the final album on both CD and heavyweight 180 gram vinyl, as well as an extra CD Glenn Gould Discusses His Performances of the Goldberg Variations with Tim Page. The edition comes with a 90 x 60 cm (36 x 24) poster and a 280-page hard-cover coffee-table book, featuring 45 sensational, newly discovered photos from the recording sessions, the complete musical score, several essays and an extensive documentation including facsimiles of more than 20 archival documents detailing how an analogue vinyl LP was recorded in the mid-1950s.